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Lesson 2 Crosspicking Mandolin: Alternating Roll Patterns

by Mickey Cochran

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Notes: The roll patterns, in the 4 studies below, demonstrate how effectively the mandolin can be played as a solo instrument. When these patterns are applied to chordal studies, you'll find that there's a lot of harmonic support. It's almost patterned after the alternating bass arpeggios of fingerstyle guitar. The Alternating Roll Patterns demonstrated here, can also be used effectively for backing up vocalists and other instrumentalists...especially on slower tempo pieces. The following exercises involve only the right hand, your picking hand, and does not require any fretting whatsoever (notice there are only "0"s indicated on the tablature). This is to ensure that we're focusing on the crosspicking pattern only...once we're comfortable with this pattern, we will then be moving on to applying this very same pattern to chordal studies.

A Note on Picking Direction: Notice the "D" and "U" symbols above the tablature. This represents your pick direction. The "D" stands for Down and the "U" stands for Up. Picking patterns, how you choose to go up or down with your flatpick, is critical to the rhythm of your crosspicking arrangements. Below, you'll find that we're using nothing but down and up patterns.

Learn to Play Crosspicking Mandolin!
Interested in learning more about crosspicking mandolin? Consider the "Mandolin Crosspicking Technique" book ...
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Mandolin Crosspicking Book


Copyright ©2000-2009 Mystic West Products

Mandolin Website MapReturn to Lessons SectionReturn to Homepage

 


Folk of the Wood Acoustic Music Instruction Folk of the Wood Homepage
Mystic West stic West Online Store
Acoustic Music Video Samplers
Folk of the Wood FAQs