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Tablature is one of the oldest forms of written music...it is a visual approach to reading music that gives you an exact position of finger placement on your instrument's fingerboard. There are many advantages of tablature that many are not aware of...for instance, if you use different tunings, tablature does not deviate from the standard number positioning; whereas, standard notation has to be re-learned for every tuning. Additionally, standard notation requires a roman numeral positioning to denote where to place your fingers. Tablature is much more direct. Ultimately, it's best to become well-versed in both standard notation and tablature. This is why most of the music presented within the FOTW Lessons section has both the Tablature and Standard Notation written at the same time. One should help the other...when confused about a timing sequence...or a melodic passage, sometimes it helps to cross reference between both types of written music.
TENOR BANJO STANDARD NOTATION & TABLATURE:

Shown above is the music notation used throughout the FOTW Lessons Section. Notice that the top staff consists of standard notation and the bottom staff is our tablature number system. Don't concern yourself with the standard notation yet. We're first going to focus on learning to read tablature. Upon learning tablature, you can cross reference any place you may be on the staff and learn more about standard notation.
"A" string; the next below the "A" would be the "D" string; the next below the "D" would be the "G" string; and, the next below the "G" string would be the "C" string. So visually, you're looking at the tenor banjo strings, as represented by these lines, upside down.
For Rhythm: Notice the 4 over 4 at the start of the standard notation. This establishes that every measure consists of 4 beats with a quarter note, represented by a single stem, as a single beat. If you tap your foot, and count to four, each quarter note would represent one beat. The four beats are divided up by what is called a measures. Measures are divided up by the vertical lines you see in both the standard notation and the tablature. In some cases, we'll add numbers below the tablature. The numbers below all of the lines: 1 2 3 4 represent the timing of the piece. If you were to tap your foot in a rhythmic manner as you count to four methodically, you have the beat of the piece. In this case, it would be 4/4 timing. In the case of waltz timing you would have a count of 1 2 3 for each measure — written out as 3/4. You'll notice also the line that separates the two measures that run vertically through the tablature. This line divides each measure so that you can always tell how many beats are in a measure. The following example is a waltz (3/4) piece:

Adding Notes to the Tablature
We will now incorporate notes or finger positions to the tablature which will be represented by numbers on each line. Following is a simple tenor banjo exercise that incorporates the numbering we are discussing. Each number will represent what note to be played. For instance, a number "1" means to place your finger behind the first fret. A number "4" would mean to place your finger behind the 4th fret of the string being represented by the line it's placed on...for example, if the "4" is on the top line, you will play the "A" string at the 4th fret. If the "4" is on the third line from the top, you will place your finger behind the 4th fret on the "G" string. A "0" would mean the string would be played open without fretting.
Here's a "G" major scale played forwards and backwards:

A great starting place would be to place your hand at the first position, near the nut and determine which finger falls naturally over the designated fret. As illustrated in the above "G" scale exercise, the first "5" note would be played with the third or fourth finger...the second "2" note would be played with the first finger...the "3" would be played with the second finger...and the following "5" would be played with the third or fourth finger.
First finger: index
Second finger: middle
Third finger: ring finger
Fourth finger: little finger

The above exercise takes you through each string methodically in a 4/4 timing. As you're tapping your foot to a count of "4" you'll also notice the "&" ampersand which represents the off beat between each tap of your foot. Each downbeat would be a downstroke with your right hand; each off beat, represented by the "&" symbol, would be played with an upstroke with your right hand (unless you're left handed and then you would be picking with your left hand).
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